Yosemite Home Decor Dramatic Ray 2 Synthetic Fabric Canvas Wall Art
Some other couple might have given up, but not Craig and Linda Fiebig. After a botched remodel left their Seattle home almost uninhabitable, the intrepid duo decided to build a new house on the same property.
"If I hadn't had 3 kids at the time, I would have chosen a loft downtown," says Linda, at present a stay-at-home female parent of four. With that urban archetype in mind, the Fiebigs asked the noted firm Vandeventer + Carlander Architects to design a colorful contemporary house that could accommodate the couple's burgeoning art collection and the demands of a growing family.
Perched on a rambling corner lot just minutes from downtown, the new home consists of two parallel boxes linked past a narrow atrium. Back up functions such as the kitchen, laundry, stairs and bathrooms are wrapped in crimson Cor-Ten steel, while living spaces reside inside a cedar cake set atop a glass plinth. "We used unlike materials to code the public and individual spaces and to meet Linda'southward desire for color and variety," says design master Tim Carlander, who collaborated on the projection with his firm's managing partner, Bill Vandeventer, and SBI Construction.
The habitation's artistic aspirations are evident from the entry, where storefront windows frame a compelling canvas past Chinese American artist Hung Liu. To the left sits Linda's office, an ocher command middle with expansive glass doors. Steel stairs on the reverse side of the entry atomic number 82 to the atrium, which divides the firm into public and individual realms. "This firm is laid out very functionally," Linda says. "There's no wasted space."
Steel armatures frame the living area and back up the second floor, freeing the surrounding curtain wall to encompass the sylvan setting (the landscape builder was Portland'southward Samuel Williamson). Drinking glass doors open onto a pair of terraces and the backyard beyond, inviting an easy indoor-outdoor flow that's platonic for parties. Since Linda doesn't like having company in the kitchen when she entertains, the architects shunted the room to the side and chose a narrow galley layout, and so there'southward nowhere for guests to linger.
Linda kept her color cravings in check when it came time to decorate. "I really had to fight my impulses, because I didn't desire to steal the thunder from the architecture or the art," she says. The living room (furnished by Michael J. Skelton of MJS Interiors in Los Angeles) is divided into two seating areas, each of which is anchored by a ruddy Tai Ping carpet. A red zebra-patterned Chris Lehrecke daybed from Ralph Pucci serves both groupings, its color repeated in the dining chairs. By limiting the accents to a single hue, Skelton was able to satisfy the owner'south desire for color without upstaging the surroundings.
Artwork adorns every wall, making the pieces more approachable but also more vulnerable to the exploits of the family unit's youngsters: Alec, 17, Tommy, 13, Ingrid, 11, and Rhys, 5. "At that place'southward going to be a sure rate of compunction, and yous just bargain with information technology," shrugs Craig, an IT marketing manager. "The two of us have damaged more art than the kids have," Linda confesses.
Click here to meet the gallery for "The Artful Abode".
Linda, a Midwesterner by birth, asked for plenty of light to combat Seattle's frequently gloomy atmospheric condition. The architects obliged, lining the atrium's walls and ceiling with a near unbroken ring of windows. Even the atrium floor is glass, and then light can illuminate the basement during the 24-hour interval.
Glass bridges span the void higher up, linking the staircase to the colorful, treetop-hugging bedrooms. (Deena Rauen supervised the upstairs decor.) Although they have to cross a bridge to get to the principal bathroom, Linda and Craig don't seem to mind. "My husband gets up at 5 in the morning, then while he's getting ready, I can still exist over in the bedroom sleeping," Linda says.
Owing to a variety of unforeseen circumstances, the house took six years from concept to completion. During that time, the Fiebigs lived in a succession of rental houses and dispersed their art to friends. (Attending a party ane evening, Craig raved almost one of his host's paintings, only to be reminded that the slice was his.) When they were finally reunited with their fine art, Linda was overcome. "It was like a kid coming home from higher," she says.
All those years of planning paid off, though. Light and greenery greet the Fiebigs at every turn, enshrining family unit and art in a setting that is worthy of both. "The house suits our lifestyle to a tee," Linda says. "People oftentimes enquire us what nosotros would modify. We're yet difficult-pressed to come up upwards with an answer."
What the Pros Know
The living room fireplace and Linda's office wait equally though they're covered in Venetian plaster, but the material is actually Milestone, a hybridized Portland cement adult in the 1980s by Seattle craftsman Don Miles. Milestone contains an acrylic folder, making it water resistant and nearly impervious to cracking and fading. The material adheres to almost any surface, so information technology'southward platonic for walls, floors, countertops and showers, and it accepts the same universal tints used at pigment stores, meaning that color choices are space. The cost depends on the project merely is comparable to quality tile or rock. Milestone tin exist purchased only from Artisan Finishes in Seattle (ArtisanFinishes.com), just visitor president Don Latimer is happy to help homeowners locate qualified installers in their area or to provide instruction to experienced do-information technology-yourselfers. "It'due south a fairly forgiving medium," Latimer says. "If you take a failure, information technology'll exist artistic, non structural."
Click here to meet the gallery for "The Artful Home".
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Source: https://www.elledecor.com/design-decorate/house-interiors/a3971/the-artful-home-a-61239/
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